Now, in fact on your, do you use vibrato on those, on those, um, chords?
Yes
We do
(Yes)

Just to produce it (It helps it)
To, yeah
You'd like it drier, would you?
Paul, what do you think of- where are you?
Paul, are you there?
Do you want them to use-
Yes?
Do you want them to use the chords without vibrato at all?
Do you want to hear it?
I can't hear you, what?
(We just need to release the sound)
I think he means the chor-, I think you mean the chords after G
I mean, let it be recorded
(Let it bе)
Uh, listen to this, Paul, this is without vibrato on the, on the, um, on thе rhythm bit, you know?
(Syndrome, that's what it is)
Three, four
G, B

[Instrumental]
[George Martin]
Now, same as you were with, with vibrato
Three, four

[Instrumental]

[Spoken Word]
Can you tell the difference?
Um, not much
Yes, there you are, you see, it sounds the same
It sounded better, without
Yeah, I thought it did actually
(Yes)
Sounds better without though
Especially if we make it more marcato too
It's a slightly more mechanized noise
Let's do it without
So you only hear the vibrato do you got anything to say
Okay
And even then unless it, unless it happens to be a long one, like for example you've obviously got to have vibrato on those bits
But even on the, uh, you know, your statements, Tony, for example, or the
Inner parts, "ba-da-da-da-da-dum" keep the vibrato, fairly narrow, not too wide a vibrato
That's it, that's it
I took violin for a term, and it killed me
Deadly, isn't it?
Deadly noise, deadly
Right, shall we go on