Ight. Right now, I'm thinking that after, you know, said date, or said moment, or said thing occurs (Yeah)—right now, it just all feels like a build-up to that.

I was thinking about this video and I was like, man, filming for five days—this whole process has definitely made one thing clear. It’s like deejaying (Yeah), like the mix is always falling apart. You know, even when you feel like you're ahead and you can chill, you can't just chill; you gotta keep moving.

So, I should have said teleportation (Right), but I’m really interested in flying. I'm gonna say teleportation instead, but then it just ruins the joy of flying.

I think making this project, I haven't shied away from expectations, you know. I've really tried to use it as fuel because people have a positive association of what I do and what I make, and they expect something that's good. So okay, how do you convert that into, like I don't know, just a better moment, you know, a better song, a better album, a better presentation, you know—(Haha).

The most frustrating thing about the process of doing this is that there's been a bunch of times, you know, where I've—I don’t know, you just feel like you just really fucked up. You just fucked it up somehow. It’s irreversible. It already happened; there's nothing you can do about it, and you don’t know if moving on even makes it better, you know. But it's just like, man—like, you're gonna be here; you gotta keep moving, and you gotta move on. You gotta try, you know. You know what I think? You know, it's like momentum. Momentum helps with that—(Haha).

You know, there’s no fantasy on this record, you know, on this… and yet it's music; it's all for better for worse like—autobiographical or just like my experience. Like, you know, the foundation of what's made me who I am today. And in doing so, you know, you come out with this thing where, yeah, you do feel like you've defeated something.

I think I appreciate other people's ideas more than ever now—right (Haha). Well, I do.